Some Things Should Never Change Written By Alan Barley, AIA

My relationship with drawing and design with has been in me my since my grade school years.  I spent a lot of time with my maternal grandparents during that time spending several weeks with them during the summers.  My grandmother, Florinda Gallo,  was in her own way a gifted artist, working simply in ceramics.  She had a kiln in a little shed adjacent to their garage in the back yard.  She would craft plates, flowers, and exquisite dolls, and enter them into local craft competitions, and won many first place ribbons for her work.  I would accompany her as she picked up supplies.  I was always fascinated by the intricate work this self-taught artist would do at a time when you didn’t see many Hispanic women working in the local San Antonio arts and crafts world. But she was an independent lady, did all the driving in the family, and had a tremendous influence on me.  I think it was her where I largely inherited my abilities to draw and design.   


I also had parents who encouraged me to develop my skills at drawing, and it was something I liked to do.  It seemed easy to me.  So when moving from Graebner Elementary in San Antonio Texas to 7th grade at Lowell Junior High one of the things I did was enrolled in drafting classes.  Mind you, this was 1969, the pre-digital age, drafting was considered a craft that could be applied to many different professions.   We started by learning about the drawing tools- pencils, lead holders, sharpeners, scales (a fancy name for a ruler), triangles, drawing brushes, and paper.  I had a drafting box with my first set of drawing tools that I was proud of, and we began to learn how to do the most rudimentary things like how to draw lines, measure correctly, and print.  We began to learn to draw very simple equipment parts that could be sent off to a machine shop to be fabricated. Things like isometric views, axonometric views, and constructing perspective views fascinated me because there was a very orderly process one could go through to end up with 3-dimensional views of the part on paper, a process which still fascinates me today.


Those were the days of the office supply stores, and I used to love to ride the bus into downtown San Antonio and go to the Paul Anderson Company, the biggest office supply store in town and gaze at the large assemblage of drafting supply equipment.  Names of companies like Koh-i- Noor, Keuffel & Esser, Dietgzen,  Post, and others, all had their equipment displayed on the racks, pencils, lead pointers, mechanical pencil lead, plastic triangles always seemed to catch my interest. I was particularly fascinated by the 6 inch architectural scales by the century-old K & E (Keuffel and Esser) Company. K&E manufactured some of the best products for architectural, engineering, civil, and surveying disciplines.  White plastic with engraved markings, set in a boxwood core, with a cool leather holder, was on the top of my need to acquire list.  I finally did get one,  but it was decades later when I started to buy them used off of Ebay, unused and abandoned by professions that are all digital now. In fact, the Keuffel and Esser Company went out of business as things went digital in the 1990’s, ending 100 years of providing fine equipment to the industry.  I now have a large collection of “vintage drafting” equipment that I have picked up through Ebay, buying all the pieces that fascinated me in junior high and high school, but could never then afford, now picking them up for pennies on the dollar. I buy them because I still use a lot of those tools today in my work as an architect. In the pre-digital age drafting was a craft, a profession, and you could tell who drew what because one’s signature was their drawing style.  The way a person drew their lines, the flourishes, the lettering,  all was as distinct as one’s personality.  I buy these long-forgotten relics of the pre-digital age to relive the fascination I had with the profession at that time. I still appreciate the “hands on” nature those tools represent, a quality I still want to use in my own work as an architect designing houses and buildings in the 21st century.  I think it’s similar to the music on vinyl versus digital, or even more removed from the analog age, streaming, as even CDs are becoming the relics of the 90’s.


I still design by hand, using Keuffel and Esser scales and triangles, handheld electric erasers, horsehair drafting brushes, drafting tape, and sketch on rolls of yellow butter paper.  In fact, our firm is one of the few firms in Austin Texas still buying boxes of butter paper rolls because it is the primary medium I design on, and I do it because the “hands on” nature of the process is one I feel makes my design work better.  It’s not a computer printing out images that were configured on a  screen, but images formed in my mind, sent to my hands that draw the  lines on paper that forming the sketches that would become the  houses I design today. It’s immediate, and a stream of consciousness, and  I think my work is better because I still do it this way. Its quickly becoming a lost art in this digital age but I’ll still use the process and I’m actively working to make sure it carries on in the younger designers that work under me.   It’s the difference between analog and digital and its easy to create digitally extruded forms and shapes through various types of software, bringing up photorealistic images of structures.  However realistic it seems, it’s still missing the warmth and soul that results from the immediacy of the mind/hand connection drawing with a fountain pen on yellow tracing paper.  Some things should never change. 

April 24, 2025
Join Peter as he discusses the Rise and Fall of the Green Building movement:
By Shawn Ibarra April 24, 2025
Engaging Barley|Pfeiffer to design our retirement home was one of the smartest things we’ve ever done. The build of our house is far superior to typical construction in our area. More important, though, this house fits us like a glove. Their comprehensive design process incorporated not just our taste, but how we live, from the room flow to the allocation of HVAC components, etc. Living and building four hours from their Austin office was a bit of a challenge, but we coordinated well and they were on site at all critical junctures. The level of detail in the plans and specifications far exceeded what one typically gets, even in a full custom build. This was critical to ensuring the energy efficiency of our home. We’ve been in the home for two years and continue to be impressed with how little we spend to heat and cool it. We highly recommend the team at Barley|Pfeiffer Architecture. — Debbie Wolf 
April 24, 2025
Barley|Pfeiffer Architecture’s core strength is designing high-performance homes and buildings that are beautiful and timeless. Recognized for their attractive design, integrity, and ability to stand up to the elements – they are less expensive to own, operate, and maintain, are healthier to occupy, and are more comfortable to live and to work in. Our “Comprehensive Design” approach means we engage in all aspects of a project from thoughtful initial project programming and site-planning, to award-winning interior design and kitchens, green building strategies and analysis, mechanical systems design, dramatic lighting design that doesn’t sacrifice practicality and comfort, as well as full construction administrative services. Our scope of work can be tailored to fit the budget, schedule, and specific needs of our clients and their projects. We listen and are flexible. While we do not have a set style, our projects are designed to “live” particularly well with their site, paying close attention to the site’s micro-climate and setting – all while blending cohesively with our client’s tastes, goals and aspirations. Comprehensive Design blended seamlessly with Innovative Building Science! 
By Shawn Ibarra April 24, 2025
The five-bedroom Steiner Ranch house features everything from a hair-washing station to a theatre room.
April 24, 2025
Written by: Alan K. Barley, AIA for the September issue of The Solar Reflector, Texas Solar Energy Society Newsletter With more than 30 years’ experience, we at Barley Pfeiffer Architecture have been involved in almost every type of residential project imaginable. Designing high-performance homes and remodels is our specialty. To date, we’ve completed more than 450 one-off custom homes and another 250 remodels. We continually look for new challenges and solutions to help people live better, more comfortable lives. One of the more recent residential building types to emerge is the Accessory Dwelling Unit (ADU). Essentially a small house that can be built in your backyard, ADU’s add more accessible housing and increase neighborhood density. ADU’s usually have strict local requirements, so check with your local design professional before starting one of these projects. The effort may be worth it as we have found these small structures to be beneficial to the owner and exciting to design. Why would a homeowner want to build an ADU? It can generate additional income. More flexibility can be achieved by using ADU’s for temporary rental space, generating additional income without having to commit to a full-time tenant. Others use the extra space as a home office or overflow living/sleeping space. For our older clients who want to comfortably “age in place,” the ADU will be housing for a caregiver. For these microcosms of larger homes, we design ADU’s to build small but live large. As architects, we add many features of a regular-sized home into the structure of up to 1,100 square feet, the typical maximum allowable interior livable square footage. Building small means building less and for less cost. But even with these size limitations, there are several design considerations that make these units live large. One of the most important organizing ideas is to leave as much open space as possible and cluster bedrooms and bathrooms around it. Combining living, dining and kitchen into one space means a smaller footprint for these functions. And because the spaces open up to each other, they feel and live bigger. A full-size sofa, easy chair, end tables, a coffee table and wall space for a TV can be positioned for comfortable living while leaving enough room for a full-size contemporary kitchen with a freestanding island and eating bar. This open living space, also known as the great room, allows for two full-size bedrooms with wall closets around it and each bedroom having its own adjacent hall-accessed bathroom. This layout makes for the perfect “roommate” unit, beneficial for those homeowners who live in college towns like Austin, Texas. In a current project, we’re building an ADU alongside new home construction to provide the owners with all the advantages stated above. In fact, this client has discussed building the ADU to live in while their new home is being built. Another aspect of our build small, live large idea is enhanced energy efficiency. ADU’s numerous benefits would be ineffectual if they consumed inordinate amounts of energy. We strive to make every Barley Pfeiffer Architecture design – big or small, intricate or modest – be highly energy efficient. We believe a home should first be comfortable to live in without using heating and air conditioning. If we achieve that, then the mechanical systems can be smaller due to reduced energy loads. Over its lifespan, right-sized mechanical systems will be more efficient, extending their life and saving money. The homeowner realizes lower initial installation costs and reduced maintenance costs over the lifespan of the ADU. Most people frequently consider only the initial costs when building a home. At Barley Pfeiffer, we look not only at the initial costs, but also the costs to maintain and operate the house over its lifespan. These costs can be significant, so the more efficient we can be with the design and performance of an ADU, the more money our clients save over time. Barley Pfeiffer Architecture pioneered several passive cooling techniques to deal with designing projects in our harsh Central Texas climate. We look for cues from homes that were built before the introduction of artificial cooling and heating systems and apply modern technologies to achieve better results. Our Central Texas summers can have several 100+ degree days extending from May through October. How do you stay cool in that extreme heat? Simple: get in the shade! The homeowners of the 1800s and early 1900s knew this simple concept and built their homes with deep porches and broad overhangs. They strategically placed their bedrooms to allow prevailing breezes to move through, keeping them cooler and comfortable. We do the same thing. Our projects feature roof systems that act as shading umbrellas for the interior, keeping the heat out. Using these fundamental techniques, combined with common sense orientation, specific window placement and tried and true shading overhangs over all windows keeps direct sunlight out. These time-honored passive design techniques keep the inside cool, resulting in greater comfort. We believe that if you build something, you can build it well even with modest budgets. Designing ADU’s that build small and live large, incorporating region-specific passive cooling techniques that utilize cost-efficient durable materials, yields all the elements for an ADU to live large, be comfortable and maximize the unit’s efficiency for the homeowner. Article was written and appears on Texas Solar Energy Society.
April 24, 2025
Alan and Peter will be discussing ‘Modern Design Trends’ at the 13th Annual Austin Modern Home Tour. This virtual experience will take place on Saturday, February 27th. Additional information on the tour can be found here! Use Code BFA2021 for a $5 discount on tickets. See ya there!
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